I’m here to provide an in-depth look at the ongoing situation surrounding the 32nd edition of the EnergaCamerimage International Cinematography Film Festival in Toruń, Poland. The festival, known for its focus on the art of cinematography, has found itself at the center of a heated debate after its director, Marek Żydowicz, made controversial comments about female cinematographers.
In a column published in Cinematography World magazine, Żydowicz seemed to suggest that the selection of more female cinematographers and directors could lead to the inclusion of “mediocre film productions” at the expense of “works and artists with outstanding artistic achievements.” These remarks sparked outrage and a widespread backlash, including from the British Society of Cinematographers, which wrote an open letter to Żydowicz, blaming him for his “profoundly misogynistic comments and aggressive tone.”
Żydowicz has since apologized, claiming that his words were “entirely misplaced and quite offensive.” However, the damage had already been done, with renowned filmmaker Steve McQueen announcing that he would no longer attend the festival’s opening night screening of his film “Blitz,” where he was set to receive the outstanding director award.
Despite the ongoing controversy, Cate Blanchett, the jury president of the festival’s main competition, has made it clear that she and her fellow jury members will remain steadfast in their commitment to the event. In a joint statement, the jury, which includes industry luminaries such as Anthony Dod Mantle, Rodrigo Prieto, and Jolanta Dylewska, expressed their willingness to engage in “meaningful discussions” about greater inclusion and recognition of excellence in the industry.
“We welcome debate regarding gender representation,” the statement reads. “We look forward to being part of meaningful discussions with our peers at the festival about greater inclusion and recognition of excellence in all its forms in our industry.”
The jury’s unwavering stance is a testament to their belief that festivals can serve as a powerful platform for championing positive change and fostering a more inclusive and equitable industry. Blanchett and her colleagues, by continuing to lead the jury, are demonstrating their unwavering commitment to contributing to the solution, despite the festival director’s controversial remarks.
As the 32nd edition of the EnergaCamerimage International Cinematography Film Festival draws near, everyone’s attention will be on Toru to witness the festival’s handling of this delicate situation. One thing is clear: with Cate Blanchett and the esteemed jury at the helm, the festival is poised to be a forum for meaningful discussions about the importance of diversity and inclusion in the world of cinematography.